From Publishers Weekly Bloom’s latest collection (after novel Away) looks at love in many forms through a keenly perceptive lens. Two sets of stories that read much like novellas form the book’s soul; the first of which revolves around two couples-William and Isabel, Clare and Charles-and begins with Clare and William falling into an affair that endures divorces, remarriage and illness. Bloom has an unsettling insight into her character’s minds: Clare’s self-disgust is often reflected in her thoughts about William, demonstrating the complexity of their attraction as their comfort with each other grows, until she finally accepts the beauty of what they have-albeit too late. The second set of stories, featuring Lionel and Julia, is more complicated; the death of Lionel’s father propels Lionel and Julia together in a night of grief, remarkable (and icky) mostly because Julia is Lionel’s stepmother and his father’s widow. As years go by, it is unclear whether Lionel’s difficulties are due to that indiscretion, but watching Bloom work Lionel, Julia and her son through the rocky aftermath is a delight. The four stand-alone stories, while nice, have a hard time measuring up against the more immersive interlinked material, which, really, is quite sublime. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist After her best-selling historical novel Away (2007), Bloom returns to the form that made her famous, the short story. In her third collection, as in all of her books, love is the mysterious, gravitational force that rules her hapless, oddly noble characters. Of course, love is the theme of most fiction. What makes Bloom’s serrated stories so keen is her penetrating insights into the ambiguity, orneriness, confusion, and obsession that make expressions of love so ludicrous, treacherous, and profound. In the perfectly pitched title story, a woman comes clean about her past to her unfazed father-in-law, who harbors his own hidden desire. Bloom returns to a biracial family introduced in earlier works and brilliantly continues the highly charged saga of Julia and her stepson, Lionel. The best of this collection of bittersweet tales of psychic pain are about tender William and vinegary Clare, who, though on in years and married to fine spouses, can no longer ignore the fact that they are only completely at ease with each other. Bloom’s stories are emotionally precise, mordantly funny, and beautifully distilled. --Donna Seaman Where the God of Love Hangs Out: Fiction [Hardcover]
From Publishers Weekly Bloom’s latest collection (after novel Away) looks at love in many forms through a keenly perceptive lens. Two sets of stories that read much like novellas form the book’s soul; the first of which revolves around two couples-William and Isabel, Clare and Charles-and begins with Clare and William falling into an affair that endures divorces, remarriage and illness. Bloom has an unsettling insight into her character’s minds: Clare’s self-disgust is often reflected in her thoughts about William, demonstrating the complexity of their attraction as their comfort with each other grows, until she finally accepts the beauty of what they have-albeit too late. The second set of stories, featuring Lionel and Julia, is more complicated; the death of Lionel’s father propels Lionel and Julia together in a night of grief, remarkable (and icky) mostly because Julia is Lionel’s stepmother and his father’s widow. As years go by, it is unclear whether Lionel’s difficulties are due to that indiscretion, but watching Bloom work Lionel, Julia and her son through the rocky aftermath is a delight. The four stand-alone stories, while nice, have a hard time measuring up against the more immersive interlinked material, which, really, is quite sublime. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist After her best-selling historical novel Away (2007), Bloom returns to the form that made her famous, the short story. In her third collection, as in all of her books, love is the mysterious, gravitational force that rules her hapless, oddly noble characters. Of course, love is the theme of most fiction. What makes Bloom’s serrated stories so keen is her penetrating insights into the ambiguity, orneriness, confusion, and obsession that make expressions of love so ludicrous, treacherous, and profound. In the perfectly pitched title story, a woman comes clean about her past to her unfazed father-in-law, who harbors his own hidden desire. Bloom returns to a biracial family introduced in earlier works and brilliantly continues the highly charged saga of Julia and her stepson, Lionel. The best of this collection of bittersweet tales of psychic pain are about tender William and vinegary Clare, who, though on in years and married to fine spouses, can no longer ignore the fact that they are only completely at ease with each other. Bloom’s stories are emotionally precise, mordantly funny, and beautifully distilled. --Donna Seaman 
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